1460 Wallmountables
June 29 – August 10, 2018

Deinstallation: August 11: 2-7pm, August 12: 2-7 pm, and August 15 – 19: 2-7pm
Happy Hour Reception: Thursday, August 2, 6-8pm

One of our most popular and inclusive exhibitions is also one of our oldest traditions. Since 1990, 1460 Wallmountables has offered the opportunity for artists of all disciplines and abilities to show in this open hanging. We divide our wall space into 2 foot by 2 foot squares with strings, which creates a floor to ceiling grid on which artists hang their work. The work must fit into the space, and while artists can acquire more than one space, the work may not overlap the squares. The result is a most remarkable salon-style show that despite its diversity has a distinct rhythm. On the last day of hanging the strings come down, we clean up the gallery and have one of the most populated openings in town.

Each summer over 100 artists from across the city participate in 1460 Wallmountables, presenting over 300 artworks on practically every inch of our gallery. We receive calls and emails about the exhibit all through the year and there are many people who will be working on 2 foot by 2 foot canvases just to fit in the show. On the opening day of hanging it is not unusual to have as many as 40 artists standing in line waiting to get registered and select the best spaces. There will be work by children, the elderly, professionals, amateurs, and students alike. It is by far one of the most diverse exhibitions in Washington and it stays up all summer long, allowing these artists to bring their friends and families by a professional gallery to see their work and see whether it has sold.

More information available here. 



Judging Me Judging You
April 27 – August 12, 2018

Chris Combs

Happy Hour Reception: Thursday, July 19, 6-8pm
Closing Reception: Sunday, August 12, 5pm

Through handmade and custom-fabricated hardware, software, and enclosures, the electronic works in Judging Me Judging You respond to themes of surveillance, control, and algorithmic bias–and the viewer, using facial recognition and motion sensing.

Chris Combs is an artist and product manager based in Washington, D.C who creates provocative technology. His Markov Radio was recently included in a one-day Sound Scene event at the Hirshhorn Museum. He was a photo editor for National Geographic for five years and has photographed autism, the Deepwater Horizon oil spill, and traffic cones. He is a graduate of the Corcoran College of Art + Design. You can find his work here.

Image: Just Helping, 2018, Vintage OSRAM mainframe LED displays, aluminum extrusion, custom electronics, neural network

dcac’s nano gallery is located within the main gallery and is dedicated to presenting miniature and smaller works in an exhibition setting.