MAIN GALLERY

Between, Through, Across

The DC Arts Center’s
Curatorial Initiative Presents

Curated by Fabiola R. Delgado
Featuring: Inga Adda, Elmer Calata, Gerardo Camargo, Asha Elana Casey, Katty Huertas, Eliana Macri, Javaid Nayyar, Rebecca Pérez, Yocelin Ramírez, and Paloma Vianey

MAY 31 - JUNE 30, 2024

MAIN GALLERY

The DC Arts Center’s
Curatorial Initiative Presents

Between, Through, Across

Curated by Fabiola R. Delgado
Featuring: Inga Adda, Elmer Calata, Gerardo Camargo, Asha Elana Casey, Katty Huertas, Eliana Macri, Javaid Nayyar, Rebecca Pérez, Yocelin Ramírez, and Paloma Vianey

MAY 31 - JUNE 30, 2024

Immigrants, refugees, asylum seekers, expats, stateless, brain drain, first generation, tenth generation…

These terms and euphemisms represent a variety of cross-border social phenomena, and language has a unique power to illuminate their various degrees of complexity. “Diaspora,” a metaphoric designation and relatively resurging term, currently stands as the most widely accepted word to unify these separations.

Between, Through, Across draws from the notion that “All diasporas are socio-spatial networks necessarily undergoing territorial expansion because they aggregate both places of memory and places of presence” (Offner and Pumain's "Réseaux et territoires: Significations croisées" –Networks and territories: Crossed meanings–). With this expansive idea at the center, the exhibition aims to explore the layers, permeability, and cultural dynamics of diasporic identities. Conjuring third spaces within their own existence, the featured artists traverse their multiple intersections to present works that serve as portals between cultures. As artists and storytellers of various diasporas, each one highlights the concurrence of many allegorical selves, delving into societal norms and expectations, family heritage, historical legacies, and diverse migrant narratives.

Exploring connections of symbolism and storytelling, Between, Through, Across showcases the works of 10 artists, who together, peel back layers of identity, memory, ancestry, and belonging in their individual and shared journeys. Symbolic manifestations of syncretism are evidenced through self-portraits, landscape recreations, fleeting impressions of home, and what the curator calls “objects of embodied memories” –a concept that complements the anthropological idea of “material culture”, and which introduces items imbued with profound personal meaning for individuals. These objects possess a unique power for storytelling and channel a resilience of remembrance, regardless of their role in broader national/social identities or their representational “significance”.

Through these works, the artists both reconstruct and question widespread ideas about themselves and their communities, inviting viewers to reflect on the different expectations of heritage. Moreover, they encourage viewers not only to honor their own lived experiences but to envision aggregated alternatives that embrace the fluidity and full spectrum of transnational identities.

Featured Above
Paloma Vianey
De aquí a allá (diptych), 2023
Oil on canvas and the absence of tulle fabric
30'' x 48'' / each

Featured Below
Eliana Macri
Seeking Something More IV
Acrylic on Canvas
30" x 40"

ABOUT THE EXHIBITION

ABOUT THE EXHIBITION

Immigrants, refugees, asylum seekers, expats, stateless, brain drain, first generation, tenth generation…

These terms and euphemisms represent a variety of cross-border social phenomena, and language has a unique power to illuminate their various degrees of complexity. “Diaspora,” a metaphoric designation and relatively resurging term, currently stands as the most widely accepted word to unify these separations.

Between, Through, Across draws from the notion that “All diasporas are socio-spatial networks necessarily undergoing territorial expansion because they aggregate both places of memory and places of presence” (Offner and Pumain's "Réseaux et territoires: Significations croisées" –Networks and territories: Crossed meanings–). With this expansive idea at the center, the exhibition aims to explore the layers, permeability, and cultural dynamics of diasporic identities. Conjuring third spaces within their own existence, the featured artists traverse their multiple intersections to present works that serve as portals between cultures. As artists and storytellers of various diasporas, each one highlights the concurrence of many allegorical selves, delving into societal norms and expectations, family heritage, historical legacies, and diverse migrant narratives.

Exploring connections of symbolism and storytelling, Between, Through, Across showcases the works of 10 artists, who together, peel back layers of identity, memory, ancestry, and belonging in their individual and shared journeys. Symbolic manifestations of syncretism are evidenced through self-portraits, landscape recreations, fleeting impressions of home, and what the curator calls “objects of embodied memories” –a concept that complements the anthropological idea of “material culture”, and which introduces items imbued with profound personal meaning for individuals. These objects possess a unique power for storytelling and channel a resilience of remembrance, regardless of their role in broader national/social identities or their representational “significance”.

Through these works, the artists both reconstruct and question widespread ideas about themselves and their communities, inviting viewers to reflect on the different expectations of heritage. Moreover, they encourage viewers not only to honor their own lived experiences but to envision aggregated alternatives that embrace the fluidity and full spectrum of transnational identities.

Featured Above
Paloma Vianey
De aquí a allá (diptych) 2023
Oil on canvas and the absence of tulle fabric
30'' x 48'' / each

Featured Below
Eliana Macri
Seeking Something More IV
Acrylic on Canvas
30" x 40"

Opening Celebration
Friday, May 31, 2024
7:00 PM - 9:00 PM

Curatorial Tour
Thursday, June 6, 2024
5:30 PM - 6:30 PM

Artist Talk
Sunday, June 23, 2024
3:00 PM - 4:00 PM

Curatorial Tour & Closing Reception
Sunday, June 30, 2024
5:00 PM - 7:00 PM

EVENTS


EVENTS


Opening Celebration
Friday, May 31, 2024
7:00 PM - 9:00 PM


Curatorial Tour
Thursday, June 6, 2024
5:30 PM - 6:30 PM


Artist Talk
Sunday, June 23, 2024
3:00 PM - 4:00 PM

Curatorial Tour & Closing Reception
Sunday, June 30, 2024
5:00 PM - 7:00 PM

One out of 30 people around the world are migrants, according to the International Organization for Migration (IOM) 2022 World Migration Report. 

The story of migration is a universal one, spanning millennia and transcending geographical boundaries. From ancient times to the present day, people have embarked on journeys driven by various influences and dynamics, be it willful movement or forced displacement. As a former Human Rights lawyer and an immigrant myself, I’m deeply interested in understanding the complexities and dynamics of navigating unfamiliar territories, forging new beginnings, and building bridges between homelands and hostlands. 

The term "diaspora," rooted in ancient Greek and Hebrew languages, originally denoted colonization and exile, respectively. The Greek term "dia-speiro," meaning "to sow over," evoked the notion of colonization, and it was based on a translation of the Hebrew word "galut", which described Jews dispersed outside of Palestine after the Babylonian exile. –– In contemporary discourse, however, the resurgence of the concept (and its extension to other groups) has gained prominence in the realm of social sciences, thanks, in no small part, to the work of primarily Black scholars of the African dispersal. Elsa Gouveia, Shirley Anne Tate, W.E.B Du Bois, Elliot Skinner, Abdul Alkalimat, Anny Ocoró Loango, Fernando Ortiz Fernández, Monica Carrillo Zegarra, Juan de Dios Martínez… their activism and academic endeavors to reclaim and reconstruct their hyphenated African history have led to the creation of programs, departments, and initiatives dedicated to studying and preserving ALL diasporic cultures and experiences across the globe.

This exhibition, titled Between, Through, Across, delves into the intricacies of this renewed concept, examining how diasporas exist in a constant state of oscillation and are able to embody multiple cultures through interactions and intra-actions with historical migration patterns, cultural adaptation, national integration, transnational connections, and cultural syncretism. Exploring the profound links between symbolism and storytelling, the exhibit brings together the works of 10 artists who collectively expose the layers of identity, memory, ancestral connection, and belonging within their journeys, both personal and universal.

The name of the show accentuates the origins of the word “diaspora”, also drawing inspiration from the botanical concept of “diaspores” (plant dispersal units, like seeds or spores). With this, I aim to mirror how the artists disseminate their cultural heritage across diverse landscapes while simultaneously adapting to multiple environments. Their works, like themselves, navigate the through and in-between spaces of past and present, stability and uncertainty, continuity and transformation, the roots and the branches. 

Whether fleeting impressions of home or confident assertions of self, the artworks invite viewers to contemplate the permeability and fluid nature of identity. They encourage us to reflect on the interconnectedness of our experiences and the dynamism of diasporic narratives, demonstrating the enduring power of memory and the strength of the human spirit found precisely in its flowingness.

For years after arriving in the U.S. I worked as a nanny, my law degree useless and my documents pending. During this time, my primary network (aside from the kids I cared for –who btw, I adore–) consisted of fellow nannies and neighbors, many of whom were immigrants like myself, hailing from Argentina, Colombia, Brazil, Guatemala, El Salvador, Ghana, Senegal… This experience and exposure to other worlds has been foundational for me, understanding myself as an “other” for the first time, and being reassured by the support of many others as well, whether born domestically or abroad. Some of those people are included in this exhibit. 

Having lived this past decade in Washington DC, a bustling diasporic hub, has been a life-changing experience that continues to inspire and educate me. Within this city, I've had the opportunity to immerse myself in formal and informal learning, gaining insights into vibrant tapestries of global cultures, and even helping me understand the nuances of my own national history and the circumstances surrounding my forced departure. DC has played an integral role in shaping much of my adult life, fostering lasting friendships, influencing my career trajectory, and contributing to the development of my identity and personal growth. I thank this city and the people I’ve encountered here for welcoming me into your universes and trusting me with your stories.

Fabiola R. Delgado
Mentor Curator, Curatorial Initiative
Curator, Between, Through, Across

FROM THE CURATOR

FROM THE CURATOR

One out of 30 people around the world are migrants, according to the International Organization for Migration (IOM) 2022 World Migration Report. 

The story of migration is a universal one, spanning millennia and transcending geographical boundaries. From ancient times to the present day, people have embarked on journeys driven by various influences and dynamics, be it willful movement or forced displacement. As a former Human Rights lawyer and an immigrant myself, I’m deeply interested in understanding the complexities and dynamics of navigating unfamiliar territories, forging new beginnings, and building bridges between homelands and hostlands. 

The term "diaspora," rooted in ancient Greek and Hebrew languages, originally denoted colonization and exile, respectively. The Greek term "dia-speiro," meaning "to sow over," evoked the notion of colonization, and it was based on a translation of the Hebrew word "galut", which described Jews dispersed outside of Palestine after the Babylonian exile. –– In contemporary discourse, however, the resurgence of the concept (and its extension to other groups) has gained prominence in the realm of social sciences, thanks, in no small part, to the work of primarily Black scholars of the African dispersal. Elsa Gouveia, Shirley Anne Tate, W.E.B Du Bois, Elliot Skinner, Abdul Alkalimat, Anny Ocoró Loango, Fernando Ortiz Fernández, Monica Carrillo Zegarra, Juan de Dios Martínez… their activism and academic endeavors to reclaim and reconstruct their hyphenated African history have led to the creation of programs, departments, and initiatives dedicated to studying and preserving ALL diasporic cultures and experiences across the globe.

This exhibition, titled Between, Through, Across, delves into the intricacies of this renewed concept, examining how diasporas exist in a constant state of oscillation and are able to embody multiple cultures through interactions and intra-actions with historical migration patterns, cultural adaptation, national integration, transnational connections, and cultural syncretism. Exploring the profound links between symbolism and storytelling, the exhibit brings together the works of 10 artists who collectively expose the layers of identity, memory, ancestral connection, and belonging within their journeys, both personal and universal.

The name of the show accentuates the origins of the word “diaspora”, also drawing inspiration from the botanical concept of “diaspores” (plant dispersal units, like seeds or spores). With this, I aim to mirror how the artists disseminate their cultural heritage across diverse landscapes while simultaneously adapting to multiple environments. Their works, like themselves, navigate the through and in-between spaces of past and present, stability and uncertainty, continuity and transformation, the roots and the branches. 

Whether fleeting impressions of home or confident assertions of self, the artworks invite viewers to contemplate the permeability and fluid nature of identity. They encourage us to reflect on the interconnectedness of our experiences and the dynamism of diasporic narratives, demonstrating the enduring power of memory and the strength of the human spirit found precisely in its flowingness.

For years after arriving in the U.S. I worked as a nanny, my law degree useless and my documents pending. During this time, my primary network (aside from the kids I cared for –who btw, I adore–) consisted of fellow nannies and neighbors, many of whom were immigrants like myself, hailing from Argentina, Colombia, Brazil, Guatemala, El Salvador, Ghana, Senegal… This experience and exposure to other worlds has been foundational for me, understanding myself as an “other” for the first time, and being reassured by the support of many others as well, whether born domestically or abroad. Some of those people are included in this exhibit. 

Having lived this past decade in Washington DC, a bustling diasporic hub, has been a life-changing experience that continues to inspire and educate me. Within this city, I've had the opportunity to immerse myself in formal and informal learning, gaining insights into vibrant tapestries of global cultures, and even helping me understand the nuances of my own national history and the circumstances surrounding my forced departure. DC has played an integral role in shaping much of my adult life, fostering lasting friendships, influencing my career trajectory, and contributing to the development of my identity and personal growth. I thank this city and the people I’ve encountered here for welcoming me into your universes and trusting me with your stories.

Fabiola R. Delgado
Mentor Curator, Curatorial Initiative
Curator, Between, Through, Across

Meet the Curator & Artists

Curator: Fabiola R. Delgado
Artists: Inga Adda, Elmer Calata, Gerardo Camargo, Asha Elana Casey, Katty Huertas, Eliana Macri, Javaid Nayyar, Rebecca Pérez, Yocelin Ramírez, and Paloma Vianey

FABIOLA R. DELGADO

Fabiola R. Delgado (b. Cabimas, Venezuela) is an independent curator and creative consultant based in Washington DC. Formerly a Human Rights lawyer and a political asylum seeker, she channels her commitment to justice through artistic and cultural experiences. Recognizing storytelling as the essence of her practice, she works on projects that challenge dominant narratives, recenter peripheral perspectives and foster intergenerational creative learning.

Fabiola is a recipient of the first National Leaders of Color Fellowship –a collaborative program from the six U.S. Regional Arts Organizations. She has worked with prestigious institutions including the Hirshhorn Museum and Sculpture Garden, National Museum of American History, National Museum of Asian Art, Anacostia Community Museum, Washington Project for the Arts, Times Square Arts, the Brooklyn Museum, Museum of Food and Drink, apexart NYC, S.O.U.R.C.E. Studio, and The FUNDRED Project with renowned artist Mel Chin.

INGA ADDA
Website: ingaadda.com
Instagram: @Inga.Adda

Inga Adda (b. Washington, DC) is a textile artist living and working out of Maryland. In 2020 she received her BFA in Fiber from the Maryland Institute College of Art (MICA) in Baltimore, MD. Adda works in traditional fiber material techniques such as weaving, quilting, and sewing as well as photography to create work that is often poetic and other times irreverent or humorous in nature. She is interested in exploring themes relating to the environment and how we relate to our surroundings, as well as the absurdity of the human experience. Adda is the first generation in her family born in the U.S. and is of Icelandic and Peruvian/Bolivian descent. Growing up, she was exposed to Icelandic design and traditional Peruvian and Bolivian tapestries and sculpture through her mother’s personal art collecting and traveI. It is through these experiences and exposures that she bases her visual language and aesthetic of her work.

ELMER CALATA
Website: elmercalata.com
Instagram: @RustikoAregua

Elmer Calata is an self-taught artist working mainly with ink, paint, clay, and found objects. He hails from both urban and rural Philippines, and his creative journey is shaped by the vibrant energy of the city and the serene landscapes of the countryside. Drawing from his Philippine heritage, as well as experiences in Latin America and adaptation to the Western world, Elmer's artwork reflects a fusion of cultural influences.

His artistic expression emerges from everyday and discarded objects, which serve as catalysts for his exploration of human nature, environmental issues, and cultural multiplicity.

His work is characterized by intricate details, clean lines, and layered compositions, highlighted by bold, vibrant colors. His vision is to craft pieces that are elegantly simple, crisply executed, and inherently harmonious.Elmer’s works have been exhibited across Maryland, Virginia, and Washington DC –including a solo show at the Embassy of the Philippines– as well as galleries in Paraguay and Nicaragua.

GERARDO CAMARGO
Instagram: @GerardoCamargoArtist

Gerardo Camargo was born in Mexico City. He began working as a cartoonist at the age of 12. In 2004 he founded Zarco Gallery, an independent space for contemporary art that offered a program focused on involving the artist community with local processes in the society. In 2002 he was selected by the Mexican National Council for Culture and the Arts as a Promising Emerging Artist.

His work has been shown in galleries and museums in Mexico and the United States, including:

Latin Perspectives, Maryland Main Hall, Annapolis MD, 2022, Aceptar, Joan Hisaoka Healing Arts Gallery, Washington DC, 2020; Underlying Borders, Mexican Cultural Institute, Washington D.C., 2019 After Eden, Siqueiros Museum, Morelos, Mexico, 2016.

His art is part of numerous private collections as well as part of the permanent collection of the RISD Museum.

ASHA ELANA CASEY
Website: ashaelanacasey.com
Instagram: @AshaElanaCasey

Asha Elana Casey is a mixed media artist and curator living and working in Chevy Chase, Maryland, and a native Washingtonian. She earned her B.F.A. from The Corcoran School of Art at George Washington University. From childhood, she has always been fascinated with stories and personal narratives. Her current body of work and curatorial vision centers the histories and cultural norms she shares with people within the African diaspora and mythical retellings of the black experience. She accomplishes this by informing her practice with Black American diasporic histories, black cultural norms, African and African American folklore, and literature. Her exhibitions include shows at The George Washington University, The Katzen Arts Center, and the PG African American Museum. Casey’s work has been covered by the Washington Post, The City Paper, NBC, and Brightest Young Things. Her artworks can be found in the DC Art Bank and Art in Embassies database (Cote d’Ivoire Embassy).

KATTY HUERTAS
Website: kattyhuertas.com 
Instagram: @KattyHuertas

Katty Huertas is a multidisciplinary artist born in Bogotá, Colombia and based in Washington, D.C.

She received a B.A. from Florida International University in 2016 and an M.F.A. from Maryland Institute College of Art (MICA). Her work explores identity, folklore, and double standards, among other subjects. She likes combining analog and digital mediums including painting, digital drawing, and animation. Katty’s work has been shown in galleries in multiple cities including New York City, San Francisco, Baltimore, Washington DC, Austin, and Bogota, Colombia.

In 2023, Huertas completed a mural currently in view in Washington D.C. as part of NoMa in Color. Her work has been featured by Adobe, Elle Korea, Creative Review, Creative Boom, Behance, and Booooooom.

ELIANA MACRI
Instagram: @ElianaMacri_Art

Eliana Macri, born in Buenos Aires, Argentina, is a visual artist whose work is characterized by a sense of constant movement and evolution, parallelling their vibrant colors and intricate shapes to the complexities of human emotions.

She completed her Art Teacher degree at the Carlos Morel Fine Arts School in Quilmes, Argentina, and went on to earn a Master's Degree in Printmaking. Additionally, she obtained a continuing education certificate in Relief Print from the Corcoran School of the Arts and Design in Washington DC.

Embarking on a journey across the USA and Europe, she has imparted her knowledge while honing her craft, garnering awards and distinctions along the way. Her work has been exhibited in solo and group exhibitions across North and South America, including the Fine Artists Association of Buenos Aires, the Argentine National Salon of Engraving, the Embassy of Argentina in Washington DC, the Corcoran Gallery of Art, Watergate Gallery, The Art League, VA, and more.

JAVAID NAYYAR
Website:  jnayyarart.com

Javaid Nayyar, born in Queens, New York, is a self-taught artist whose creative journey draws inspiration from a diverse array of sources. Influenced by Islamic art, pop culture, and subcultures like punk rock, hip hop, and skateboarding, as well as historical and political narratives, his work reflects a fusion of Eastern and Western, modern and classic, all filtered through his unique perspective.

Through his art, Javaid explores themes of identity, xenophobia, Islamophobia, and the immigrant/first-generation American experience. He conveys these themes by employing mixed media collage, paint, traditional Pakistani fabric, and mirror work.

Javaid is a 2024 Washington D.C. Commission on the Arts and Humanities Fellow, building on previous grants awarded by the Commission in 2020, 2021, and 2022. He was the Artist in Residence at the Selina Hotel in Washington D.C. and has had solo exhibitions at the Selina Hotel and Homme Gallery. His work has also been exhibited in group shows in Baltimore, Washington D.C. and Alexandria, VA.

A graduate of Queens College and the Benjamin N. Cardozo School of Law, Javaid brings a rich interdisciplinary perspective to his artistic practice.

REBECCA PEREZ
Website: rebeccaperezart.com
Instagram: @CreativeExpansionWarrior

Rebecca Perez is a Washington, DC-based artist of Puerto Rican heritage. As an abstract painter, she delves into themes of trauma, motherhood, and healing, influenced by research in psychology and sociology to inform her process. Her interest lies in the profound effects of trauma and how it not only changes the body, but also larger family and community systems. In her practice, she interprets these concepts through an intuitive and gestural painting style, prioritizing movement, energy, and emotion. Often using delicate fabrics as her canvas, she parallels their fragility with the nuanced aspects of human experience.

Her work has been exhibited in group shows across New York, New Jersey, Virginia, Maryland, and Washington, DC. Notably, she was a participant in the 2021-2023 Sparkplug Collective at the DC Arts Center. Rebecca is a graduate of Pratt Institute, holding an MS degree, and Syracuse University, where she earned her B.F.A. In addition to her pursuits in fine art, Rebecca has cultivated a successful career in graphic design.

YOCELIN RAMÍREZ
Instagram: @Yoce_Ramirez

Yocelin Ramírez is a visual artist from the Dominican Republic, whose work embodies a universal language, drawing inspiration from the eclectic beauty of nature's elements, from plants and open spaces, to enclosed structures, and passageways.

She graduated with honors in Painting from the National School of Visual Arts (ENAV) in Santo Domingo, and furthered her artistic education with distinctions in Fine Arts and Illustration from the Altos de Chavon School of Design.

With a career spanning exhibitions in the United States, Spain, and Italy, on top of her home country of the Dominican Republic, Yocelin's work has garnered recognition from prestigious institutions such as the DR’s National Gallery of Fine Arts, the International Watercolor Convention Fabriano in Acquarello, and the Inter American Development Bank in Washington DC. Currently, Yocelin shares her expertise as a Painting instructor at ENAV, nurturing the next generation of artistic talent with her spontaneous and intuitive creative process.

PALOMA VIANEY
Website: palomavianey.com 
Instagram: @PalomaVianey

Paloma Vianey is a Mexican artist from Ciudad Juárez, Chihuahua. Growing up a few miles away from the U.S.-Mexico border, her work narrates her daily experience of crossing this political division. She also creates images of Ciudad Juárez, where she emphasizes its urban landscapes and the often overlooked buildings. Through paintings, etchings, and sculptures, she explores themes of vulnerability, tension, and her desire for violence-free communities.

Vianey has exhibited at El Paso Museum of Art, the Jordan Schnitzer Museum of Art, the Herbert F. Johnson Museum of Art, the Hylton Performing Arts Center, Bridget Donahue Gallery, Museo de Arte de Ciudad Juárez, and others. She was an artist-in-residence at the Antonio Gala Foundation in Cordova, Spain, and a PEYTON Artist in Residence at The Studios of Key West. Paloma’s been a multiple-time recipient of The Elizabeth Greenshields Foundation Grant, the CARD Fellowship at The Phillips Collection, the John Hartell Award for Graduate Students at Cornell University, the National Fund of the Arts in Mexico, the Institute for Mexicans in the Exterior and The Mellon Urbanism Fellowship. She also has an installation at the Américas-Cordova International Bridge, one of the most transited international bridges on the U.S.-Mexico border.